We were very fortunate to add some new talent to our efforts. We had some wonderful actors who worked very hard on the film. They also made the whole experience a pleasure. I was thrilled to have James Kiberd aboard. I loved his Trevor Dillon on All My Children. It was hard not to blither in his presence. The man with him in the photo is Brad Kalas. He's a great actor and a Philly boy to boot. Then there were the Commandos. Sean and Edmundo joined up with our Scott to make a group of unbelievably cute guys. Sean just got a recurring gig on Enterprise as... a Commando. He's even still a corporal. We had some great women as well. There was Jean who played Nurse Susan Harold. She was classy and bawdy at the same time. She really knew how to handle the many naughty men on the set. And then there is Kira. She's a cable and internet sensation with a sexy and glamorous image, but she's also very sweet and funny and hardworking. She was a joy to have around. Paul Schackman gave us the both creepy and sad Morris Kelp, who picked the wrong night to look for a hooker. And we can't forget to praise our leads, Jason Carter (Babylon 5) and Garett Maggart (The Sentinel). They worked hard before and during the shoot providing us with valuable input and remaining open to our suggestions as well as those of their fellow actors. They fostered a warmth and comradery on set that really helped offset the low budget resources.

Craig has been on two of our sets. His presence can be credited for saving several people from being fired or maimed. He helped build sets on both projects. On Demon, he was a patient in the hospital and the hiker who finds one of the Vampire's victims. He was particularly funny in the hospital gown with the IV trailing after him. Craig agreed that he looked like an escapee from a mental institution. He really wanted to borrow a police car and take a joy ride to write some tickets. I reasoned that the film didn't have bail money in the budget. Anyway, he was fabulous in all his roles and, luckily for me and those around me, wants to come back to our next shoot.

Another important alum on this shoot is our room mate Ben. He was a set builder on The Privateers, but in Demon Under Glass, he was our lab consultant and got to be a Commando. We call him a Benmando.

Ben wasn't the only one drafted to act. Our stalwart Joan who was also the Wardrobe Mistress (never did the job before, but she was great though she was always tired) was a nurse and a bar patron and a mourner at the funeral. She had so many parts that we made up a story arc for the character. Sunshine, our Production Designer, prop gal and FX wiz also made a stellar bar wench. Even I made an appearance as a mourner as did our co-producer Marguerite.

We were lucky to find new crew that were fun and hard working. Jon's crew was vital to the film. There was the First AD, Daniel who kept the shoot on schedule. The DP, Michael who gave the film its look and the Script Supervisor, Lecia who made sure no lines were missed or said wrong. Steve wore so many hats that we lost count on set, but he really saved the day and the film in post (along with Sunshine.) Then there was our ace PA, Kevin who rescued the mattress from the freeway, Gary who was a great grip and had lots of advice on strangling people (don't ask,) our Production Coordinator Marget who tarted up nicely when we needed a barfly for the end, and the Sound guys, Stacy and Dennis, who were very patient. Then there was the incomparable Maxi. Maxi needs no explanation. I don't think I could find one if I tried.

We can't say enough about Lucy who was our nursing consultant and hand stand in. She gave us a great deal of information and support on the film. It couldn't have happened without her. The years of experience she had as an operating room nurse gave her nerves of steel and a whole lot of patience. Her motto was 'if no one is dying, it's not an emergency.'