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YS McCool
(site is password protected)
e-mail |
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A Firm Hand (VOY, C/K, NC-17) |
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Harry decides to pursue Chakotay. (off-site link) |
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A Firm Hand:
Virgin Sacrifice (VOY, C/K, NC-17) |
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Harry fulfills one of Chakotay's most cherished fantasies.
(off-site link) |
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A Firm Hand:
The Obelisk (VOY, C/P/K, NC-17) |
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Harry finds an ancient obelisk that offers him a new world and steals
his inhibitions. (off-site link) |
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A Firm Hand:
The Arena (VOY, C/P/K, NC-17) |
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An abandoned world offers the Voyager crew just what they need.
But at what price? (off-site link) |
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Martha McDonnell
(at
Trekiverse) |
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In Soft Darkness (TNG, P/C, G) |
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A private night, sometime in the future, wherein decisions
are made. |
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Not Like This (TNG, P/C, PG, character death) |
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Deathbed revelations and goodbyes. |
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Refusal (pre-TNG, P & C, G) |
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Picard turns down a date. |
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McFergeson
e-mail |
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Grief (DS9, O & K, PG) |
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Just when Kira thought she knew Odo, his reaction to the death
of a friend surprises her greatly. Yet she and the rest of the Deep
Space Nine crew will be further startled by a revelation to come.
Sequel to 'Heart'. |
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Heart (DS9, O/K, PG) |
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Odo realizes that he has a lot to learn when dealing with Kira,
especially in matters of the heart. |
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mackillian
e-mail |
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Snow Falling Softly (TNG, P/C, PG-13, novel length) |
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In the wake of Nana's death, three people are left behind and now
the intrigue lies in how these three people end up changing the lives
of the captain and the doctor. |
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Maddie
e-mail |
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Outcast No Longer (TNG, R/Soran, C/Odan, PG) |
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Regrets and resolutions for both Riker and for Crusher. Set sometime
after the events in The Next Generation episodes "The Outcast"
and "The Host". |
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Survive The Night (DS9, B/JadziaDax (unrequited) PG) |
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A missing
scene from the Deep Space Nine episode "Invasive Procedures".
Jadzia, dying, has something to say to the Doctor. |
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MagicalM.
e-mail |
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Peace House (VOY, J/C, PG-13) |
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A miscommunication with an alien race gets the Captain and the Commander
a little 'marriage therapy'. Best Humor or Comedy
Dakota's Decalthalon winner second year. |
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Over Seska's Dead Body (VOY, J/C (C/Seska implied) PG-13) |
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In the wake of the Voyager episodes "Basics" and
"Flashback", certain truths come to light, including how one
Starfleet captain feels about her First Officer. 10,000+ words
Dakota's
Decalthalon winner second year; Third Place Award. |
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Maigret |
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The One (VOY, P/K, NC-17, D/s) |
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"The lights came up. Harry gasped. Midway between the bed
and the door in a pristine room stood a blond statue. His only embellishment,
a narrow, black, leather cockring. And the expression on his face, oh,
his face -- yearning, satisfaction, layers of pleading and anticipatory pleasure.
He was a wanton, the embodiment of Harry's deepest desires and
as of this moment, his slave." |
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Michael Malicoat |
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Timed Out (VOY, P/K, PG-13, character death?) |
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"He had thought he might finally be moving on, accepting his loss,
but now, with the resurfacing of this dream -- the same one he'd
had every night for three months after Tom's death -- he knew he
wasn't." Beginning of an unfinished series. |
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C.A. Mallett |
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The Birthday Gift (TOS, K/?, K/S, NC-17) |
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"The
Vulcan turned me, sat me on his lap, and removed my pants all in one smooth
maneuver. 'If I'd have known you enjoyed being manhandled as
much as this I'd have done it long ago.'" |
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The Letter (TOS, K/S, Mc/f, NC-17) |
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"Dearest Jim, How long have you dreamed of commanding me,
not only on the bridge, but in your bed?" |
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Our Garden of Eden (TOS, K/S, NC-17) |
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"So
started our, I hesitate to use the word 'new' but that was what it
was, life together. Just like Adam and Eve in the Garden of Eden, except we
are both Adams and this whole planet is our 'Garden of Eden', with
one exception. There is no serpent in our garden." |
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Seduced by A Vulcan (TOS, K/S, NC-17) |
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"'And now, Captain, sir. It is you who will be on the receiving
end. You are about to find out what it is to know the real me. You have
gone out of your way to seduce me but tonight you will know what it is to
be seduced by a Vulcan.'" |
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The Wild Weekend
(TOS, K/Mitchell, NC-17, mild non-consensual, enemas and other squicks) |
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"'See. I told you the best was yet to come, didn't I?
I promised to give you the best weekend of your life and Gary Mitchell
never goes back on his promises. This is only the beginning, Love.
There's lots more to come.'" |
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Mandragora |
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Distorted Image
(VOY, C/P, MirrorC/P, K/T, NC-17, MU) |
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Tom and Chakotay find themselves in the Mirror Universe first encountered
in The Original Series episode "Mirror, Mirror". WARNING!
Torture, drugs, enslavement, floggings, rape and other assorted violence.
Judy wrote a sequel,
'Restoring The Image'. |
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Jump (VOY, C/P, NC-17) |
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Chakotay and Tom go skiing, stirring up some old memories that perhaps
would have been better left undisturbed. . . |
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Mandy
e-mail |
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Ship Tales:
The Solution Is Two (VOY, P/Ayala, Tu/P/Ayala, NC-17) |
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"'I'm guessing you don't want to sever the bond
with your wife,' [Tom] waited for Tuvok's confirmatory nod,
'so bonding with someone else on Voyager is not an option.
Therefore, to make it. . .easier. . . you don't need one person --
you need two.'" |
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Ship Tales:
The Third Saturday of The Month before Midnight
(TOS, K/S/Mc, PG-13) |
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"Spock had played cannily as usual and still wore three items
of clothing as well as a sock on each ear." |
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Mizz Marcee |
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Carnivale (TOS, Sc/C, NC-17) |
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Scotty takes matters into his own hands after Chekov is once again
stood up by Sulu. A continuation of sorts to Skazitelnitsky's
'The Taming' as well as Karmen Ghia's
'The Return' (The Taming Two) and
'The Taming Three'. Written for
The Scotty Fuh-q Fest
and
The Ensign Fuh-Q Fest. (off-site link) |
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Carnivale 2:
Dancing Aloud
(TOS, Sc/C (K/C implied/unrequited) NC-17) |
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Chekov and Scotty take up where they had left off during 'Carnivale'.
Written for
The Scotty Fuh-q Fest. |
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Carnivale 3:
Dance of Obsession
(TOS, Sc/C (K/C implied/unrequited) S/Mc, NC-17) |
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A sexual encounter between Scotty and Chekov goes horribly wrong.
WARNING! Graphic depiction of perceived rape. |
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Crossing The Line 1 (ENT, A/Tu, R) |
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Captain Archer is consumed with remorse and fear as he tries to keep his
best friend conscious and alive on Zobral's desert planet. Spoilers for
the Enterprise episode "Desert Crossing". |
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Decisions Made (TOS, K/C, NC-17) |
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Captain Kirk deals with the uncertainties of sending his lover
on a possible suicide mission. |
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The Search (TOS, C/Sarek (Su/C implied) NC-17) |
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Sarek discovers more than he had expected while visiting one
of his son's former crewmates. |
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Where There's A Will
(TOS, K/Will Decker, NC-17) |
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It looks as if Kirk's luck has finally run out. That is, until he encounters
a mysterious stranger. Written for
The Kirk Fuh-Q Fest. |
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Words Unspoken
(ENT, Tucker/Rostov (A/Tu implied) PG-13) |
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Michael Rostov tries to find some quiet time for himself, but discovers much
more in the process. Written for the Engineer-Fuh-Q-Fest. |
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Mareel
Warp 5 Complex
e-mail |
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Accepting Loss --
Future medical science seems to be up to the task of mending
most of the injuries suffered by the Enterprise crew. But what happens
when the damage is permanent? Thoughts from both Jon and Malcolm
on the effects of an injury on their relationship. |
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Accepting Loss:
Accepting (ENT, A/R, PG, poem) |
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"Reality -- Damage that cannot be repaired, now or ever, not by skill,
or desire, or even love." (off-site link) |
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Accepting Loss:
Loss (ENT, A/R, PG, poem) |
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"Maybe it's me who's having trouble accepting. I'm
a pace behind him, as ever, in grieving the loss and moving on." --
(off-site link) |
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Accepting Loss:
Duet (ENT, A/R, R) |
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"Is he trying to prove his love to me, or to himself?"
(off-site link) |
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Accepting Loss:
Catharsis (ENT, A/R, R) |
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".. . we'e always been honest with one another. I've trusted
him with my life and my heart." (off-site link) |
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Bon Appetit! (ENT, A, Tu, R, S, G) |
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Picnic lunches for the away teams, gone horribly wrong. |
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Bon Appetit!:
Dessert Menu (ENT, Tu/R, NC-17) |
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Trip and Malcolm spend the afternoon on the planet, and discover
the reason behind the transporter malfunctions and what really
happened to Tucker's missing uniform. |
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Bon Appetit!:
Appetites (ENT, Tu/R, NC-17) |
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Trip likes to eat in bed. |
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In The Future:
Without Change (post-ENT, A/R, NC-17) |
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"'You're like the sea to me, Jon -- alluring, threatening,
irresistible, 'without change -- without pity.' You're
always there -- in my life, in my thoughts. . . and yes, damn it, you're
in my heart. Yes, I'm attracted. .. I'm terrified. . . afraid of losing
myself. . . but for some reason you accept it all -- all of me. If I yield to this,
am I changing who I am. . . or accepting who I am?'"
(off-site link) |
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In The Future:
Sea Stars (ENT, A/R, Tu, PG) |
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"My heart knows I'm welcome here."
(off-site link) |
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In The Future:
Muse (ENT, A/R, R) |
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"I don't deserve him. I can't live without him. He completes
me, fills the voids in my soul." (off-site link) |
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Indiscretion (unfinished series):
Indiscretion (ENT, Tu/R, NC-17) |
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A slip of the tongue at just the wrong moment. |
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Indiscretion (unfinished series):
Interlude (ENT, Tu/R, NC-17) |
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Trip is surprised. And worried. Malcolm is mortified. |
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Indiscretion (unfinished series):
Insomnia (ENT, Tu/R, A/R implications, R) |
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Archer tries to help, but, instead hears something he is not sure he
wants to hear. |
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Indiscretion (unfinished series):
Introspection (ENT, Tu/R, A/R?, R) |
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Malcolm seeks answers. |
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Indiscretion (unfinished series):
Intonation (ENT, Tu/R, R) |
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Malcolm and Trip talk. |
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Rhapsody in Blue (ENT, ?/?, G, deathfic) |
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A loss of innocence in the Delphic Expanse. (off-site link) |
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Rhapsody in Blue:
Mourning (ENT, ?/?, G, deathfic) |
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A mother's plea upon receiving news from the Delphic Expanse.
(off-site link) |
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Storm:
Perfect Storm (ENT, A/R, PG-13) |
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After being stranded together during a spectacular storm, Archer and Reed
consider what really happened during that storm, and face the aftermath.
(off-site link) |
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Storm:
Stormwrack (ENT, A/R, R) |
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Jon and
Malcolm reflects on what really happened. (off-site link) |
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Storm:
Storm Shelter (ENT, A/R, PG-13) |
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Jon and Malcolm try to find a resolution. (off-site link) |
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Tactical Alert (ENT, A/R, G) |
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Archer responds to an emergency on the bridge.
(off-site link) |
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Mari |
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Soliloquies --
Riker's thoughts on the Troi/Worf relationship. |
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Soliloquies:
Am I The Only One Who's Ever Felt This Way?
(TNG, W/T, R, PG, AU) |
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"If I'd gone to Risa. If I hadn't let her push the propriety
thing nine years ago. If I'd taken the chance after that monster
used her as an emotion dump. I handed her to him without even realizing
it." |
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Soliloquies:
Chains of Solitude (TNG, R (R/f implied) W/T, PG, AU) |
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"I don't think I can take this anymore." |
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Soliloquies:
Give Up Giving In (TNG, R, W/T, PG, AU) |
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"I resolve to stop loving her. Needing her. Missing her.
Wanting her. I deserve to be happy in spite of her. . .
I just don't know how to." |
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Soliloquies:
One Step Forward (TNG, R (W/T implied) PG, AU) |
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"I made her wait too long. I never showed her that I was willing
to commit." |
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Soliloquies:
Never Said Goodbye (TNG, R (W/T implied) PG, AU) |
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"I still love her. But Deanna Troi-Roshenko is a dear friend.
What we had is a might-have-been." |
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Soliloquies:
Secret Smile (TNG, R, R/f, P/C, PG, AU) |
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"I finally got married." |
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Soliloquies:
Future Perfect (TNG, R, PG, AU) |
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"I'm wondering where all the years went." |
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Soliloquies:
Future Imperfect (TNG, R/f, T, PG, AU) |
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"I simply assumed that I could have my cake and eat it too;
my wild Klingon lover and my Imzadi, my soulmate."
Deanna's POV, and her regrets. |
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Mari-Ann |
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Riker's Bad Day/Beverly's Secret
(TNG, R/C, R) |
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Two lonely people turn friendship into something more. |
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Mariel |
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Introductions (TNG, WalkerKeel, C/JackC, P/C, PG-13) |
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"Gods, why hadn't I introduced Jean Luc to her first?
How could I have so misjudged?" |
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Marigold |
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The Bitterest Truth (VOY, P/K, R) |
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"Tom was going to die. Slowly and painfully, on a nameless,
uninhabited planet, and the last thing he would remember was
how his best friend had hurt him. The one person he should have
been able to trust." |
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Marleena
(at
Trekiverse) |
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Rainshower (VOY, P/T, NC-17) |
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B'Elanna and Tom get caught in the rain. |
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Nyani-Iisha Martin |
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The Core of Things (VOY, T, P/K/T, PG) |
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B'Elanna falls asleep next to the warp core; Tom and Harry
find her. |
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In The Nick of Time
(VOY, K/T, P/T, P/K/T, PG, character deaths, sorta) |
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"Harry put warm fingers to her lips, whispering urgently, his dark eyes
intense. 'Kiss me. Kiss me for Tom. Kiss me for what we had planned
for that night, the day the Krenim took him. Kiss me for all the nights we
slept alone because we couldn't be three in a bed. Kiss me because
I've loved you for years.'" A missing scene from the Voyager
episode "Year of Hell". |
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Risala of Risa (DS9, B/f, G/B, NC-17) |
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"He'd gone to Risa for a break, to clear his head and think about
his life, and his Dabo-girl girlfriend, and Garak." |
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Risala of Risa:
Followup (DS9, G/B, R) |
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"As [Bashir] felt Elim's hands encircle his waist and slide
down to caress his behind and pull him nearer Julian thought with the
small part of his brain that wasn't afire, 'I'll have to thank
Risala. . . later.'" |
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Threesomes:
In Triplicate (VOY, K/T, P/K/T, NC-17) |
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"Tom Paris didn't know who or what had changed his luck from as bad
as it had been to as good as it was now, but as he stroked
B'Elanna's hair from her forehead and wrapped his arm tighter
around Harry, he thanked them with all his heart." |
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Threesomes: Twosomes:
Coalescence (VOY, P/T (P/T/K implied) NC-17) |
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"This was B'Elanna, who he trusted, who he really
did love." |
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Threesomes:
Alpha Centauri (VOY, P/K/T, NC-17) |
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B'Elanna, Tom and Harry's new-found relationship is put to
the test not only by Tom's prison experiences, but by Harry's
perceived guilt over his unfaithfulness to Libby. |
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Threesomes: Angst Trilogy One:
Closure
(VOY, K/Libby, Libby/m, P/T/K, Kes, Amanda Q, R) |
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"Harry was wondering if [Libby] was in love again.
He hoped she was. . . " |
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Threesomes: Angst Trilogy Two:
Demonstrations (VOY, P/K/T, NC-17) |
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"'We thought it was time we showed you how attractive
you are,' added Harry. 'That we aren''t just bullshitting
when we tell you you're beautiful.'" |
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Threesomes: Angst Trilogy Three:
Consolations (VOY, P/K/T, NC-17) |
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"'I know I had a [prison] flashback tonight', Tom said,
stroking Harry's hair and cheek with that hand. 'Believe me,
I didn't forget.' He looked down at the thought, his hand going
still on Harry's cheek, and B'Elanna put a hand on his shoulder;
he looked up to smile at her, then at Harry. 'But I do want you to,
Harry. Remember, I told you, I told myself, that I won't let them take
this from me. . .'" |
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Threesomes:
Impromtu (VOY, P/K (P/K/T implied) NC-17) |
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"'I just flew the finest ship in Starfleet out of disaster's
grasp, and all I could think of was you and B'Elanna as the ship
danced under my hands, and my blood is singing with life, and I want
you so badly. . . I want you.'" |
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Threesomes: Twosomes:
Comforts (VOY, P/K (P/T/K implied) NC-17) |
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"'Tom, am I ever going to be OK? Is either of us?'"
Coda to the Voyager episode "The Chute". |
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Threesomes: Twosomes:
Remembrances (VOY, K/T (P/T/K implied) NC-17) |
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"Harry pulled her to his chest, holding her as she hid her face against
him and broke down and cried, cried for Corinna Jora Morel and her Jareth,
cried for all the dead Regressives. . . and cried for herself and the girl she
had been before she met M'Lar, before her heart had begun scarring,
even before the Academy or the Maquis." Set sometime after
the Voyager episode "Remember". |
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Threesomes:
Odd One In (VOY, P/T, P/K/T, NC-17) |
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"Watching them stagger off, half-carrying each other to Sickbay,
Harry had felt his face curl into a frozen smile as his heart fell like a stone.
He was happy for them, he had to be, but the relationship
he had with them, the threesome they had been carefully nurturing. . . Harry
was afraid to ask where his place was with them now, to ask if he even had
one anymore. He didn't want to know if he already knew the answer."
Spoilers for the Voyager episode "Blood Fever". |
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MaryK.
(at
Trekiverse) |
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All's Well That Ends Well
(DS9, G/B, Du/f, PG-13) |
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On Deep Space Nine, it is a time for the renewal of old relationships
and for the beginning of new ones, as Garak and Bashir find themselves
interacting with intriguing new arrivals on the station. . . and with Dukat.
Co-written with Terrie Drummonds. |
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Cardassian Hostage (DS9, G/Du, Du/Wey/Damar, R) |
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A 'what if?' story -- What if Garak had been forced to remain behind
when Dukat and the Dominion took over DS9, at the end of the fifth season
Deep Space Nine episode "Call to Arms". Nausicaans, Ferengi
(clothed and unclothed), self-sealing stembolts, slavery and forced labor, and
oo-moox. Oh, my. Co-written with Christine Collins. |
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Distant Deeps (DS9, MirrorG & MirrorB, R, MU) |
| |
In the mirror universe, Captain Julian Bashir and First Officer Elim Garak
share a cell as prisoners of the Klingon Regent. An alternate resolution
to the fourth season Deep Space Nine episode "Shattered
Mirror". |
| |
|
| |
Garak/Worf Scene (DS9, G/B, JadziaDax/W, G/W, R) |
| |
Garak and Worf drown their sorrows at Quark's bar and, in the process,
find themselves becoming better acquainted. |
| |
|
|
|
| |
In Captivity (DS9, Du/Wey, PG) |
| |
Dukat and Weyoun have a conversation. Takes place immediately following
the Deep Space Nine episode "Call to Arms". |
| |
|
| |
Subtle Ways (DS9, MirrorG/MirrorB, R, MU) |
| |
In the
mirror universe, First Officer Elim Garak has become a prisoner of the Terran
rebels while Captain Julian Bashir takes it upon himself to try to win Garak
over to their cause. Sequel to 'Distant Deeps'. |
| |
|
| |
Variables & Variations:
Friendly Advice
(DS9, Odo/B, Odo/JadziaDax, J/J, O/K, K/JadziaDax, B/Lwaxana,
O/K/B/JadziaDax, K/B/JadziaDax, Odo/Lwaxana, S/JadziaDax,
K/JadziaDax/Lwaxana, B/K/JadziaDax/Lwaxana, genderf*ck Odo-style,
bondage games, spanking, very NC-17)
|
| |
When Odo asks for advice on human sexuality, Bashir is happy to explain --
and demonstrate. Then Dax walks in. Then Dax calls Kira. Then Lwaxana
arrives. The eventual result is a tangle of sexual relationships involving almost
all of the DS9 senior staff. |
| |
|
| |
Variables & Variations:
Garak's Revenge
(DS9, G/B, Odo/K/B, K/Quark, Odo/B, very NC-17, bondage games,
non-consensual) |
| |
Garak wants Dr. Bashir in his bed and uses rape and power
games to achieve his end. However, the results end up affecting
all of Julian's relationships. |
| |
|
| |
Variables & Variations:
Cardassian Lessons
(DS9, K/B, G/B, K/G/B, B/Du, G/f, K/JadziaDax, Odo/B, very NC-17,
non-consensual at various times) |
| |
Julian Bashir's ongoing multiple relationships make him question
both himself and his motives. WARNING! Extreme, extreme
BDSM of the whips and chains variety. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Ben Mason
(at
Trekiverse) |
| |
|
| |
Complications (VOY, J/C, PG) |
| |
What if Janeway and Chakotay's rescue had been delayed?
A very different ending to the Voyager episode
"Resolutions". |
| |
|
| |
Heart to Heart (VOY, Tu/Noss, P, PG) |
| |
"He opened himself completely, revealing his entire being to her."
Coda to the Voyager episode "Gravity". |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
michele
masterson |
| |
|
| |
Belated (VOY, J/C angst, PG) |
| |
Voyager is home and now, with both her and Chakotay serving in Starfleet,
Janeway decides the time is finally right. Things, however, have a way
of not always turning out as planned. The start of the
'The Belated' series. (opens in new window) |
| |
|
| |
Break (VOY, J/C, R) |
| |
"I
used to wonder what it would take to break her." |
| |
|
| |
Breaking Away (VOY, J/m, J/C unrequited, PG) |
| |
In a spaceport somewhere in the Alpha Quadrant, Chakotay
has made up his mind, once and for all. |
| |
|
| |
Negotiations and Lovesongs (VOY, J/C, PG) |
| |
Midnight musings about love, death and impossible promises --
just another sleepless night in the Delta Quadrant. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
Douglas E. Maupin |
| |
|
| |
Another Chance
(TNG, TRiker/NLocarno (R/T implied, TRiker/W/Riker/T implied) NC-17) |
| |
Tom Riker, recently freed by the Klingons, arrives on Deep Space Nine,
looking for a way to start his life over. Nicholas Locarno is also there
on Deep Space Nine and also looking for a way to start over. Together,
they might just find that way. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
Gregory Mawson |
| |
|
| |
Stuck in the Middle (VOY, K/7, P/T, PG) |
| |
Harry is caught between B'Elanna and Seven when the two
have a fight. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
|
Maximum
e-mail |
| |
|
|
|
| |
Pajama Party (TOS, S/Ch, NC-17) |
| |
"Spock wanted to come into her quarters and --oh God! -- she
was wearing her footie pyjamas." Set the night after The Original
Series episode "Amok Time". |
| |
|
| |
The Sound of Breaking Glass
(TOS, MUSpock/U, S/U, NC-17, non-consensual, MU) |
| |
"Without meaning to [Uhura] had backed up until she was pressed
against the divider. Spock pushed up against her and pressed his mouth
hard against hers." Takes place during and after The Original Series
episode "Mirror, Mirror". |
| |
|
| |
The Sound of Breaking Glass:
Shattered Glass
(TOS, S/U, S/TPring (S/U implied) NC-17) |
| |
"Logically [Uhura] knew that it was not this Spock who had attacked
her, she knew that, but. . . " Takes place after The Original
Series episode "Mirror, Mirror". Spoilers for The Original Series
episode "Plato's Stepchildren". |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Maz
e-mail |
| |
|
| |
Five Minutes (VOY, C/P, PG) |
| |
"It only took five minutes. . . " |
| |
|
| |
Five Minutes:
Trouble Breathing (VOY, C/P, R) |
| |
"It was all there, blazing forth, the longing, the desire, the need.
From both men. From dark eyes and grey eyes, like a living thing,
awake and hungry." |
| |
|
| |
Five Minutes:
Not Even Close (VOY, C/P, NC-17) |
| |
"Has it ever been this intense. . . have you felt this much
for someone before. . . ?" |
| |
|
| |
Five Minutes:
Dangerous (VOY, C/P, NC-17) |
| |
"He still could not quite accept the power they held over each other. . .
the power to change body temperatures. . . skin colour. . . heart-rate. . .
breathing patterns. . . it was an incredible thing, to be able to affect another
person so physically." |
| |
|
| |
Five Minutes:
Serious (VOY, C/P, NC-17) |
| |
"'Is this as serious as it feels?' [Tom] whispered, never
taking his eyes off Chakotay's face." |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
Medea |
| |
|
|
|
| |
Phasing into Orgasm (TNG, R/T, NC-17, BDSM) |
| |
With Deanna in phase, Will has to keep her satisfied: the perfect opportunity
for him to introduce a new dimension to their sex-life. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
melanie
(at
The WayBack Machine/Internet archive)
e-mail |
| |
|
| |
No Guarantees (VOY, P, J, T, P/T, PG) |
| |
B'Elanna's pregnant, but she isn't sure she wants to be
-- ever. Potential spoilers for the Voyager episode "Lineage".
Sequel to 'What's Love Got to Do With
It?'. |
| |
|
| |
Protestations of Innocence
(VOY, P/T, Tu, PG, unfinished?) |
| |
Tom Paris is attacked and it's now up to Tuvok to find the culprit
before Torres takes matters into her own hands. |
| |
|
| |
Self-Destruct (VOY, J, P, P/T, PG) |
| |
After the events in the Voyager episode, "Thirty Days",
certain truths are revealed to Captain Janeway. |
| |
|
| |
To Tell The Truth (unfinished series):
Spirit Guide (VOY, P, P/T, all, PG, AU, novel length) |
| |
Tom's decision to seek Chakotay's help in contacting his spirit
guide leads to unexpected complications, including the revelation that his past
may not be what he or anyone else had thought it was. |
| |
|
| |
To Tell The Truth (unfinished series):
Parole (VOY, P, P/T, all, PG, AU, novel length) |
| |
Tom's friends attempt to help him out of his depression,
but only succeed in making his life worse. |
| |
|
| |
To Tell The Truth (unfinished series):
Togetherness
(VOY, P, Tu, P/T, all, PG, AU, novel length) |
| |
After an accident leaves him as Tom's unexpected
'houseguest', Tuvok begins to undo some of the damage done
to Tom and, in doing so, learns Tom's secrets. |
| |
|
| |
To Tell The Truth (unfinished series):
Sunfire (VOY, P, P/T, J/C, all, PG, AU, novel length) |
| |
Just when Tom's decided to stop worrying, the AlphaOmegans,
adversaries from his past, appear, promising a way home for Voyager
and nothing but pain for Tom. |
| |
|
| |
To Tell The Truth (unfinished series):
Turning Point
(VOY, P, P/T, K/7, all, PG, AU, novel length) |
| |
With the rest of the crew now knowing about Tom's secret past,
he becomes even more isolated from those he loves just as the crew
faces a major threat. |
| |
|
| |
To Tell The Truth (unfinished series):
M'Nea Madeleine
(VOY, P, P/T, K/7, J/C, all, PG, AU, novel length) |
| |
|
| |
What's Love Got to Do With It?
(VOY, 7, P/T, J, C, Tu, Sam Wildman, PG) |
| |
An overheard conversation between Paris and Torres leads
Seven of Nine to contemplate children, Voyager, and motherhood.
The story is continued in 'No
Guarantees'. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
|
Melissa
(at
Trekiverse) |
| |
|
| |
Jealous Guy (DS9, G/B, PG) |
| |
Garak finds something disastrous on his pillow. |
| |
|
| |
Safe Sex (DS9, G/B, R) |
| |
A little vignette about dinner gone awry. |
| |
|
|
|
|
|
| |
There's Something about Julian
(DS9, G/B, B/m/m, B/Du, B/Da, NC-17) |
| |
Cardassians, it seems, really like Julian. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Joules
Mer
e-mail |
| |
|
| |
A Tarnished Family Tree (ENT, Tu/R, PG) |
| |
Reed's family history turns out to be a lot less proud than they
have made out it out to be. |
| |
|
| |
A Fine Southern Tradition (ENT, Tu/R, PG) |
| |
Trip explains how generations of Tuckers have employed the use
of firearms as a marriage incentive. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
|
|
|
V. Meredith
(at
Trekiverse)
e-mail |
| |
|
|
|
| |
Admiring Fools
(DS9, K/Da, Du, NC-17, non-consensual & consensual, BDSM) |
| |
Trapped in the mirror universe, Kira has to protect Damar from a blood-thirsty
Dukat by any means necessary. |
| |
|
| |
Admiring Fools:
Bridges (DS9, K/Da, G, NC-17) |
| |
In the moment between death and resurrection, Kira and Damar contemplate
what went wrong and what might have been. |
| |
|
|
|
| |
Admiring Fools:
That Was Then; This Is Now
(DS9, K/Da, G, Mila, NC-17) |
| |
With the Cardassian Revolution under way, Kira and Garak are kept busy
training resistance cells and spreading propaganda, while Damar deals
poorly with both his frustration and his loneliness, caused by having to hide
in the cellar as events unfold without him. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Merfilly
e-mail |
| |
|
| |
Contemplation
(TOS, Saavik/David Marcus, PG-13, drabble) |
| |
"David sits on the bed in Saavik's cabin and just watches
as she takes the uniform off. . ." |
| |
|
| |
Memories of Smoke
(TOS, U/Guy Maslin, PG-13, drabble) |
| |
"She always remembered Guy Maslin whenever she smelled smoke."
Spoilers for the book "Tears of The Singers." |
| |
|
| |
Misunderstanding
(TNG, P/Q, R, non-consensual, drabble) |
| |
"He had not understood enough, and everything he had wanted. . .
was irrevocably shattered." |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Sara Merry
e-mail |
| |
|
| |
Miracle of the Lights (TOS, K/S, NC-17) |
| |
Kirk and
Spock find love during Hanukkah, the Festival of Lights. |
| |
|
|
|
| |
Pleasures of the Flesh (TNG, P/Q, NC-17) |
| |
Picard
introduces Q to the delights of having a human body. |
| |
|
| |
You're My Home (TOS, K & S, PG) |
| |
At the end
of their careers, Kirk and Spock discuss retirement. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Micboisme
(at
Trekiverse) |
| |
|
| |
First Musing (VOY, J/7, NC-17) |
| |
"'You know, Seven, you have a very unusual way of dealing
with the unexpected.' Kathryn smiled at the too large, cat-like
bewildered eyes." |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Midnight Dove
e-mail |
| |
|
| |
Down with Love (ENT, Tu, R, S, PG, humor) |
| |
It's Valentine's Day aboard Enterprise and no one's
very happy about it. |
| |
|
| |
The Happily Ever After Boys
(ENT, Tu/R, PG, character death) |
| |
"Bits and pieces of conversations, little snapshots -- that's
all he's got." |
| |
|
| |
My Mind to Yours (ENT, Tu/T, PG) |
| |
T'Pol
is dying and only a mind meld with a human can save her. |
| |
|
| |
Pancakes with Peanut Butter, Eaten Alone
(ENT, Tu/R, PG, character death) |
| |
"Breakfast used to be Malcolm's favorite part of the day. Now,
it's when he misses his friend the most." |
| |
|
| |
Paying The Devil (ENT, Mary Carter/Stuart Reed, PG) |
| |
"They warn you about marrying sailors, men who care more for the sea
than any mortal woman, and God knows I know why. Men like these are
married foremost to the waves, and the water, and their duty, and the women
who love them take second rank." |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
|
Midnight Topaz |
| |
|
| |
Connect The Dots (TOS, K/S, R) |
| |
"He remembers the blood. He remembers the warm, slick sensation
as it seeped down his pallid skin and dripped from his fingers, each crimson
droplet a pure testament of his devotion. Of his love." Set post
the movie "Star Trek: The Motion Picture". WARNING!
self injury. |
| |
|
| |
My Immortal (TOS, K/Ciani, K/S, PG-13) |
| |
". . . lost in bittersweet memories -- remembrances
of stolen glances, a soft touch, sweet murmurs echoing throughout
the darkness of the cabin. . ." |
| |
|
| |
Paint by Number (TOS, K/S, R) |
| |
"He counts the passage of time by the scars marring his forearms. . .
Each minute that slips away is another moment without the cherished
presence, another lost opportunity drawn into the irretrievable past."
Set post the movie "Star Trek: The Motion Picture"
and the companion piece/prequel to 'Connect
The Dots', but can stand alone. WARNING! self
injury. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
miera
(at the
Warp 5 Complex)
e-mail |
| |
|
| |
Admission of Guilt (ENT, Tu/R, NC-17) |
| |
Trip tells Mal he can look, but not touch. |
| |
|
| |
Comfort (ENT, Tu/R, PG) |
| |
Sometimes it's not about sex at all. |
| |
|
| |
Old Standbys (ENT, Tu/R, NC-17) |
| |
Trip takes some 'personal' time. |
| |
|
| |
Rescue Operation:
Rescue Operation (ENT, R & S, PG) |
| |
Malcolm
and Hoshi go undercover to save a kidnapped crewmate. |
| |
|
| |
Rescue Operation:
Seconds (ENT, R/S, PG) |
| |
Reed and Sato talk about their first kiss. |
| |
|
| |
Rescue Operation:
This Tale (ENT, R/S, PG) |
| |
Reed discusses his inner psyche with a dog. |
| |
|
| |
Rescue Operation:
A Prayer for Malcolm Reed (ENT, R/S, PG) |
| |
Malcolm's thoughts on a dangerous task. |
| |
|
| |
Rescue Operation:
Knots (ENT, R/S, PG) |
| |
Hoshi's thoughts on the same task. |
| |
|
| |
Worthless:
Frozen, Baked, and Marinated (ENT, Tu/R, PG-13) |
| |
The boys get into some trouble. Again. And end up in Sickbay. Again. Plus
someone seems to be harboring impure thoughts. |
| |
|
| |
Worthless:
Blankets (ENT, Tu/R, PG-13) |
| |
Malcolm, Trip and a third party are stuck on a planet in a blizzard.
It's cold. They have to pool body heat. Hands in new places.
You get the idea. |
| |
|
| |
Worthless:
Uniformity (ENT, Tu/R, G) |
| |
After the events in the Enterprise episode "Dawn",
Trip's friends arrange a humorous welcome back for him.
Well, maybe not so humorous if you're Trip. |
| |
|
| |
Worthless:
Sacred Bonds (ENT, G) |
| |
The women of Enterprise gather to eat chocolate and to discuss
the relative merits of the male crew. |
| |
|
| |
Worthless:
Worthless (ENT, Tu/R, PG-13) |
| |
Malcolm's had a bad day and Trip wants
to know why. |
| |
|
| |
Worthless:
Spilled (ENT, Tu/R, PG) |
| |
Malcolm tries to come to terms with things. |
| |
|
| |
Worthless:
Natural Order (ENT, Tu/R, R) |
| |
Trip wrestles with his conscience among other things. |
| |
|
| |
Worthless:
Becalmed (ENT, Tu/R, PG) |
| |
Just as Trip decides on a course of action to try and fix things
with Malcolm, fate (?) intervenes. |
| |
|
| |
Worthless:
Touch of Grief (ENT, Tu/R, PG) |
| |
It's Malcolm's turn to be there for Trip. Set post Enterprise
episode "Cogenitor". |
| |
|
| |
Worthless:
Spring Fever
(ENT, Tu/R, A/R, S/o/R (Ma/R, T/R suggested) R) |
| |
"Spring, when a young man's fancy lightly turns
to thoughts of love. . . " In other words, Malcolm's
libido is running amok. |
| |
|
| |
Worthless:
Anniversaries (ENT, Tu/R, R) |
| |
After catching Reed and Giordano in what he believes to be an
intimate moment, Trip has finally had it. |
| |
|
| |
Worthless:
Eat, Drink, and Be Merry (ENT, Tu/R, PG) |
| |
Trip is in a black mood; Malcolm tries to help. Missing/expanded scene
from the Enterprise episode "Anomaly". |
| |
|
| |
Worthless:
Undiminished (ENT, Tu/R, PG) |
| |
The first Christmas in the Expanse puts Trip in a nostalgic mood.
Kisses and more denial. On both their parts. |
| |
|
| |
Worthless:
Convenience (ENT, Tu/R, PG) |
| |
Malcolm feels used. 'Morning after' drabble for
'Undiminished'. |
| |
|
| |
Worthless:
Passeggiata (ENT, Tu & R, PG) |
| |
Trip and Malcolm have a late-night talk and clear the air
between them. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Mike
(at the
Warp 5 Complex
e-mail |
| |
|
| |
Aftermath (ENT, A/R, NC-17) |
| |
Enterprise is home and now the Captain can finally act upon his feelings
for his Tactical Officer. |
| |
|
| |
Aftermath:
Up The Ladder (ENT, A/R, Tu/m, NC-17) |
| |
Disastrous away missions as well as Reed's almost obsessive need
for privacy ring changes upon the relationship of Archer and Reed.
Trip, meanwhile, meets someone new. |
| |
|
| |
Aftermath:
The Angel with Dark Wings (ENT, A/R, Tu/m, NC-17) |
| |
After the events in the Enterprise episode &&, Reed's
obsessive guilt causes his and Archer's relationship to fall apart.
Dominic and Tucker then conspire to get the two back
together. |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Ellen Milholland
(at
Trekiverse) |
| |
|
| |
Interlude in the Void (VOY, J/7, PG-13) |
| |
"'Do not let this Void destroy everything we have made,
Kathryn. Do not let the darkness destroy us.' There was
an insistent sort of pain in the young woman's voice and in her
touch." A what-could-have-been story. . . Spoilers for the Voyager
episode "The Void". |
| |
|
| |
Ready (VOY, J/7, NC-17) |
| |
"She was not at all what I expected." |
| |
|
| |
Revisions:
All But Gone (VOY, K/T, P/K/T, NC-17) |
| |
"She's broken, but she's trying hard to hide it"
Tom Paris talks about his captain and the tolls the events as depicted
in the Voyager episode "Year of Hell" have taken on
her. |
| |
|
| |
Revisions:
Don't Be Sorry (VOY, J/P, PG) |
| |
"I believe we''ll make it through this. One way or another,
I have to believe that we'll come out on the other end with a ship
and a crew. Though the ship might be ragged and the crew small,
I believe we can do it. I have to believe." Kathryn Janeway reflects
back upon the events depicted in the Voyager episode "Year
of Hell". |
| |
|
| |
Revisions:
If We Make It Through This (VOY, J/P, PG) |
| |
"If we make it through this, I want to be able to tell her what
she means to me. I want to make sure that I'll always be
there for her, if she needs me." Set during the Voyager episode
"Year of Hell". |
| |
|
| |
Revisions:
The Wine of Promise (VOY, J/P, PG) |
| |
"We have made our pleas, and we have made our promises.
We cannot break them now." Set during the Voyager episode
"Year of Hell". |
| |
|
| |
Revisions:
This Is It (VOY, J/P, PG-13) |
| |
"All I want now is to be loved by someone. To feel beautiful again."
Set during the Voyager episode "Year of Hell". |
| |
|
| |
Revisions:
So Many Scars (VOY, J/P, PG-13) |
| |
"In her sleep, she cannot protect herself from the memories,
and they haunt her as terrible nightmares." Set during the
Voyager episode "Year of Hell". |
| |
|
| |
Revisions:
Snakeskin (VOY, J/P, PG-13) |
| |
". . . those of us that are left, we will not die." Set in the aftermath
of the Voyager episode "Year of Hell". |
| |
|
| |
Sometimes More Sweetly (VOY, J/7, PG-13) |
| |
"I'd always loved her, but love can change. I'd loved
her as a daughter, and sometimes more sweetly. But after that night,
things were never the same." A companion piece to
Boadicea's
'Sometimes More Fiercely'. |
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Turn Around (TNG, P/C, P/Anji, PG-13) |
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"He had lied to her." |
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Waxy Candles (VOY, J/P, G) |
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"And this is something for her to believe in. In this time, when
everything's different and nothing's changed, she needs
something to believe in. Something bigger than herself, bigger than me,
bigger than Voyager. . . bigger than the whole damn delta quadrant.
And I think she has it. . . in the rosary and the Our Father and the soft
waxy candles." |
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|
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Your Left Hand (VOY, J/7, R) |
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"In
my fantasies, you touch me with your left hand." |
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(search)
(top) |
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MinervaFan
fanfiction.net
LiveJournal
e-mail |
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Art (VOY, J/7 implied/unrequited, PG) |
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"Janeway pulled at her own emotions, forcing them back into the strict
discipline she needed to maintain, to continue, in this loneliest of commands.
There was no time for butterflies, no safety net for her to explore shimmering
dance floors." |
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Anyone Can Whistle (TOS, Mc/Ch implied/unrequited, PG) |
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"I want him out of my hotel room. I want him out of my skin
and my breath and my heart." |
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(search)
(top) |
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Mini Librarian |
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Forgive Me for Forgetting (VOY, J/C (C/7 implied) PG) |
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Admiral Janeway dreams of Chakotay. |
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(search)
(top) |
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Minotaur
LiveJournal:
In Memorium |
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Signals (unfinished series):
Crossed Signals
(VOY, A/K (A/C unrequited, P/K unrequited) NC-17) |
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Harry wants Tom; Ayala wants Chakotay. Together, the two
of them come up with a plan. |
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|
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Signals (unfinished series):
Mixed Signals (VOY, A/K, P/K, NC-17) |
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Harry and Ayala's plan backfires. Or does it? |
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|
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Signals (unfinished series):
Signal to Noise Ratio (VOY, A/K, P/K, R) |
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Harry has to choose between Tom and Ayala. |
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(search)
(top) |
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Miriam
(at
The WayBack Machine/Internet archive) |
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Crew Manifest (VOY, C/P, NC-17) |
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"That was how it had begun. With those hands
on the controls." |
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Distance between Decks (VOY, P/K, NC-17) |
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"Tom began to wonder how it had happened that such a distance had
come between them. There was no fight that he could remember. They had
just drifted, uncomfortably, away from each other." |
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(search)
(top) |
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Mistyfur
email |
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|
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The Other Side:
The Proper Care of a First Officer
(VOY, intense J/C, NC-17, kinks, AU) |
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"Janeway harshly pulled his face towards her, her eyes icy
and a cruel smile flirting on her lips. 'Oh, I'm going to enjoy
this more than you will, but by the end you'll be begging to continue
to serve under me.' Janeway chuckled in pleasure as she watched
his movements. 'But first, you'll need to be punished
for your actions today." Set in the universe last seen in the Voyager
episode "Living Witness". |
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|
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The Other Side:
To Tame A Captain
(VOY, intense J/C, NC-17, kinks, AU) |
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"'You're under my control now, Kathryn,' Chakotay
growled, his eyes filled with the triumph of a returning warrior that had
captured his prey. 'I'm going to enjoy taming you.'"
Set in the universe last seen in the Voyager episode "Living
Witness". |
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|
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The Other Side:
Just Desserts
(VOY, intense J/C, intense C/T (implied K/T, P/T) NR-NC-17, kinks, AU) |
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"Revenge is sweet." Set in the universe last seen in the Voyager
episode "Living Witness". |
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(search)
(top) |
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Marie Whi Mitshue
(at the
Warp 5 Complex)
e-mail |
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|
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Hero: (unfinished series)
One (ENT, Tu/R, PG) |
| |
Tucker likes Reed. Reed likes Tucker. Each thinks the other
is uninterested. |
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|
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Hero: (unfinished series)
Two (ENT, Tu/R, PG) |
| |
Tucker
and Reed, each trying to pretend he doesn't find the other incredibly hot,
get stuck in a crawlspace together. Erections ensue. |
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|
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Hero: (unfinished series)
Three (ENT, Tu/R, PG) |
| |
Tucker and Reed give into their attraction to each other, but pesky
Nausicaans stand in the way of their happiness. |
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|
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In My Arms (ENT, Tu/R, PG, character death) |
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Reed is badly wounded on an away mission. |
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Misunderstandings & Mistakes:
Broken (ENT, Tu/R, R ) |
| |
After what appears to be a one-night stand with Trip, a heartbroken Reed
snaps. WARNING! suicide themes. |
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|
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Misunderstandings & Mistakes:
Shattered (ENT, Tu/R, PG) |
| |
Trip fears that his night of passion with Malcolm meant nothing to the
Englishman, so he pretends it meant nothing to him. Companion piece
to 'Broken', Trip's POV. |
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(search)
(top) |
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MizJoely
e-mail |
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|
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Playing with Power
(TNG, P/C, altP/T, altT/Narve, altR, altW, altO'B(Mylal), KO'B,
Guinan, Selar, RoLaren, R, non-consensual, novel length) |
| |
An alternate ending to The Next Generation episode "Power
Play". What if the body-stealing League of Uxmal Pirates hadn't
been dislodged from their human hosts quite so easily and had been able
to retake Enterprise? |
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|
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Power Struggle
(TNG, P/C, R/T, Worf/Selar, C/altP(Narve), T/altR(Larsch), Ro/altData(Verek),
Selar/alt.Worf(Peris), altLa(Mylal), Gunian, Mast altP/T, altR, altW,
altO'B, KO'B, R, non-consensual, novel length) |
| |
What happens when the prisoners don't stay imprisoned?
Sequel to 'Playing with Power'. |
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(search)
(top) |
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Mizvoy
e-mail |
| |
|
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Horn of The Bull
(VOY, J/C (implied C/7, implied EMH/7) PG) |
| |
Chakotay discovers, soon after Voyager returns, that his new perspective
re-ignites the smoldering attraction that he feels for Janeway, an attraction
he thought had ended years before. |
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(search)
(top) |
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MJ
e-mail |
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|
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Xynobia:
It's Going to Be One of Those Evenings
(ENT, A/R, NC-17) |
| |
First contact with a very friendly planet turns out to be more than anyone
on the Enterprise bargained for. |
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|
| |
Xynobia:
I'm Having One of Those Days
(ENT, A/R, NC-17) |
| |
Archer and Reed finally get hitched. Malcolm gets turned on by big,
long hard things that explode when he handles them. Trip gets drunk.
Porthos voices an opinion. |
| |
|
| |
Xynobia:
It's Gonna Be a Bumpy Night
(ENT, A/R, Tu/m, f/f, NC-17) |
| |
Archer and Reed try settling into married life on Enterprise. It isn't
always easy, and Trip isn't helping. Lieutenant Patel loves Xynobia,
and Ensign Watkins loves firearms. And Trip's started dating someone
totally unexpected. . . |
| |
|
| |
Xynobia:
I Think I'm Allergic to Morning
(ENT, A/R, Tu/m, NC-17) |
| |
Love and marriage, love and marriage -- how does that song go?
Enterprise gets some visitors, and Malcolm thinks Trip's sniffing
around the wrong one. Meanwhile, Malcolm and Archer learn to cope
with the concept of in-laws. . . |
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(search)
(top) |
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Mnemosyne
(at
The Linguistics Database)
e-mail |
| |
|
| |
Ships in The Night (ENT, R/S, NC-17) |
| |
On an exotic, pre-industrial alien planet, Malcolm and Hoshi finally
give in to the tension. |
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(search)
(top) |
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Momthing
(at
1001 Trek Tales)
e-mail |
| |
|
| |
Change of Heart (TOS, S/U, Ch/m, AU) |
| |
Spock and Uhura have returned from a mission with some very
exciting news. . . or some very distressing news, if you happen
to be Christine Chapel. |
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(search)
(top) |
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The Monkey Queen
LiveJournal
e-mail |
| |
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| |
Facets (DS9, G/B, NC-17) |
| |
"The
only way he could get past this fear was to see for himself that his advances
would not be rejected as they had been once before." |
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(search)
(top) |
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moondancer |
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Unnamed Trilogy: (unfinished)
What Price Freedom?
(VOY, C/P, NC-17, non-consensual ) |
| |
Paris is accused of rape while on shore leave and the punishment,
according to planetary law, is an 'eye for an eye, tooth for a tooth'.
But since Torvellian anatomy is incompatible with Human, an alternative
sentence is offered -- a male from among Voyager's crew now has
to rape Tom instead. |
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| |
Unnamed Trilogy: (unfinished)
Strange Angel (VOY, C/P (P/K unrequited) NC-17) |
| |
After the events on Torval, Chakotay discovers his feelings toward Tom
have changed. Tom's feelings, however are less clear.
Then there's Harry who's fighting his own attraction to the pilot.
That's when a strange ship is found on a deserted planet and everything
changes once again. . . |
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(search)
(top) |
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Ana
Morada |
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Fear (ENT, T/Cole, PG) |
| |
"Somewhere between the breathy gasps of orgasm and the satisfied
safety of your casual breathing later that evening, I couldn't help feeling
more than attraction for you. . . I wanted you in a way that I had never wanted
anybody else before. I wanted you to want me. . ." |
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(search)
(top) |
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J.S. Moreau |
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Power Games (VOY, P/K, NC-17, non-consensual?) |
| |
With a little help from B'Elanna and a pair of tight black
leather pants, Harry finally gets what he's always wanted.
Strangely enough, so does Tom. |
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(search)
(top) |
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Moriva |
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Multiple Techniques
(TOS/TNG, Kirk/Data, R/D implied, NC-17) |
| |
"'Regrettably, I must leave now. However, I have found
our sleazy alley encounter most satisfactory and intend to repeat
the experience whenever the opportunity arises.'"
Written for
The Kirk Fuh-Q Fest. |
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(search)
(top) |
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J. Rosemary Moss
e-mail |
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|
| |
Refuge (TOS, S/Mc (Mc/Barrows implied) PG) |
| |
"'Doctor,' Spock said, cocking his head
at the human, 'what, precisely, are you searching for
in a bond mate?'" |
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(search)
(top) |
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Mriana |
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The Beauty and The Changeling (DS9, O/K, NC-17) |
| |
The
Dominion war is over and Odo has returned from the Great Link determined
to make Kira a very happy woman. (off-site link) |
| |
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(search)
(top) |
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Mtranc3 |
| |
|
| |
Thanks To Circe (TOS, K/S, K/f, R) |
| |
"There's definitely something to this psychology business,
Jim thought. That, and rabid women in heat." |
| |
|
| |
|
(search)
(top) |
| |
|
| |
|
Andra Marie
Mueller
e-mail |
| |
|
| |
Almost Perfect (VOY, J/C, PG) |
| |
"Chakotay chuckled. 'Okay; the day is almost perfect.
You and I together like this. . . up until two weeks ago I was convinced
it would never happen.'" Sequel to 'Coffee Talk'.
(off-site link) |
| |
|
| |
Coffee Talk (VOY, J/C, PG-13 ) |
| |
"Chakotay swallowed his last bit of cocoa. 'Today is the five-year
anniversary of our return from New Earth. I suppose I was just trying
to sort out some of the emotions that's resurrected.'" To be
continued in 'Almost Perfect'. (off-site link) |
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|
(search)
(top) |
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|
| |
|
|
Katrina Munro |
| |
|
| |
Old Age (VOY, K/7, PG) |
| |
A scene from a long life lived together. |
| |
|
| |
Somewhat Damaged (VOY, K/f (K/7 unrequited) PG) |
| |
". . . she can give you children. . . you can both grow old together. . .
she's not tainted by the blood of millions." |
| |
|
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|
(search)
(top) |
| |
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|
|
Katrine
Myra
e-mail |
| |
|
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|
| |
Business As Usual (DS9, G/B, B/O'B, PG-13) |
| |
"He would hate himself in the morning, he really would.
Then again, when didn't he hate himself? He closed his
eyes, and let it happen." |
| |
|
Crossroads --
What if a character chose the other fork in the road? |
|
|
| |
Crossroads:
Odo (DS9, O/K, G) |
| |
Odo speaks his mind. Set during the end of the Deep Space Nine
episode "Crossfire". |
| |
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|
| |
Crossroads:
Tasha (TNG, Y, PG) |
| |
The Enterprise-C is set to go back to their own time and now this
timeline's Tasha Yar has a decision to make. Set during the
end of The Next Generation episode "Yesterday's
Enterprise". |
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|
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|
| |
Crossroads:
Keiko (TNG, O'B/KO'B, G) |
| |
It's Keiko and Miles' wedding day and Keiko is having second
thoughts. Set during The Next Generation episode "Data's
Day". |
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|
| |
Crossroads:
Ezri (DS9, EzriDax, G) |
| |
Ezri never wanted to be joined; she has her own life she wanted
to live. Set during the Deep Space Nine episode
"Shadows and Symbols". |
| |
|
|
|
| |
Crossroads:
Riker (TNG, R, Q, G) |
| |
The entity Q has offered Commander Riker the chance of a lifetime. Set during
The Next Generation episode "Hide and Q". |
| |
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Crossroads:
Jim (TOS, K, G) |
| |
Picard asks Kirk to leave the Nexus. Set during the movie
"ST VII: Generations". |
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Crossroads:
Geordi (TNG, D/La, G) |
| |
Data trusts that Geordi will know what to do. Set during the movie
"ST X: Nemesis". |
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Impasse (DS9, B/O'B, O'B/KO'B, PG) |
| |
Miles loves
Julian. Miles loves Keiko. So simple, yet so hard. |
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(search)
(top) |
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